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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Richard Cumberland"/1) | (@(roleclean,performerclean) "Richard Cumberland")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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3408 results for: Keyword - Richard Cumberland
We found 1991 matches on Author, 704 matches on Performance Title, 677 matches on Performance Comments, 525 matches on Event Comments, and 0 matches on Roles/Actors.

1
08 March 1785 @ Covent Garden

Event Comment: Benefit for Henderson. Part of the Pit will be laid into the Boxes. Mainpiece [1st time; T 5, by Richard Cumberland. Text, which assigns no parts, 1st published in his Posthumous Dramatic Works, Vol. II (1813), under the title of Alcanor]. Public Advertiser, 5 Mar.: Tickets to be had of Henderson at his house in Buckingham-street, York-buildings

Performances

Mainpiece Title: The Arab

Performance Comment: Principal Characters by Henderson, Wroughton, Hull, Fearon, Thompson, Cubitt, Lewis; Mrs Bates, Miss Younge. [Partial cast suggested by Genest, VI, 360: Alcanor-Henderson; Barzilla-Wroughton; Halak-Hull; Sameas-Fearon [which Genest misprints "Farren"]; Herodian-Lewis; Augusta-Mrs Bates [so also Morning Post, 10 Mar.]; Glaphyra-Miss Younge. Text adds: Serapion, Affghar; Mariamne.] Prologue by the Author spoken by Henderson. [In his Memoirs, II, 208, Cumberland prints an Epilogue, written by himself, which he "presumes" was spoken, and states the speaker to have been Miss Younge.] hathi. Mariamne.] Prologue by the Author spoken by Henderson. [In his Memoirs, II, 208, Cumberland prints an Epilogue, written by himself, which he "presumes" was spoken, and states the speaker to have been Miss Younge.] hathi.
Related Works
Related Work: The Arab Author(s): Richard Cumberland

Afterpiece Title: Rosina

Dance: As17841116

2
30 April 1798 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland. 1st printed as above. Authors of Prologue and Epilogue unknown]. Receipts: #159 17s. (151.10; 8.7)

Performances

Mainpiece Title: The Eccentric Lover

Performance Comment: Principal Characters-Lewis, Quick, Holman, Munden, Fawcett, Murray, Knight, Whitfield, Waddy, Simmons, Rees, Curties, Miss Betterton, Mrs Pope, Mrs Gilbert, Mrs Mattocks. [Cast from Times, 1 May: Sir Francis Delroy-Lewis; Peter Crowfoot-Quick; Fenton-Holman; Admiral Delroy-Munden; Doctor Crisis-Fawcett; Gangrene-Murray; Gabriel-Knight; Sir Henry Netterville-Whitfield; Ostrich-Waddy; Tom Transit-Simmons; John Seagrave-Rees; Admiral's Servant-Curties; Eleanor de Ferrars-Miss Betterton; Constantia-Mrs Pope; Widow Blandy-Mrs Gilbert; Fidelia-Mrs Mattocks; [Times does not spell all the parts as they are listed in the text, in Cumberland's Posthumous Dramatic Works, 1813, Vol. II, which assigns no parts, but in which they are spelled as above. Times erroneously assigns Doctor Crisis to Farley, and lists Mrs Mattocks' part as Mrs Crowfoot; it does not assign Gabriel or the Servant.] Prologue-Holman; Epilogue-Mrs Mattocks.
Related Works
Related Work: The Eccentric Lover Author(s): Richard Cumberland

Afterpiece Title: Raymond and Agnes

Dance: Afterpiece to conclude with: Dance of Savoyards-Platt, Miss Cranfield, Mlle St.Amand

3
20 March 1779 @ Covent Garden

Event Comment: Prelude [1st time;PREL I, probably by Richard Cumberland. Larpent MS 472; not published]. Mainpiece [1st time; M 3, by Richard Cumberland, based on Calypso and Telemachus, by John Hughes]: The Overture and all the Music entirely new, and composed by Butler. With new Scenery painted by Richards and Carver, and new Dresses. Books of the Masque to be had at the Theatre. Public Advertiser, 27 Mar. 1779: This Day is published Calypso (1s. 6d.)

Performances

Mainpiece Title: A New Prelude And Prologue

Related Works
Related Work: A New Prelude and Prologue Author(s): Richard Cumberland

Afterpiece Title: Calypso

Related Works
Related Work: Calypso Author(s): Richard Cumberland

Afterpiece Title: Cross Purposes

Dance: In: Incidental Dances-Dagueville, Miss Besford, Miss Valois

4
08 May 1789 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland, altered by the author from his The Country Attorney. Prologue and Epilogue probably by Cumberland. Larpent MS 828; not published; synopsis of plot in Universal Magazine, May 1789, p. 267]: With new Dresses, &c. Receipts: #165 6s. 6d. (155.5.6; 10.1.0)

Performances

Mainpiece Title: A School For Widows

Related Works
Related Work: A School for Widows Author(s): Richard Cumberland

Afterpiece Title: The Highland Reel

5
08 May 1794 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland. Authors of Prologue and Epilogue unknown] . Account-Book, 25 Sept. 1794: Paid Cumberland for The Jew #300. Morning Chronicle, 4 Oct. 1794: This Day is published THE JEW (1s. 6d.). Powell: The Quaker rehearsed at 10; The Jew at 11. Receipts: #401 17s. (344/3; 45/19; 11/15)

Performances

Mainpiece Title: The Jew

Related Works
Related Work: The Jew Author(s): Richard Cumberland

Afterpiece Title: THE QUAKER

6
23 July 1796 @ Haymarket Theatre

Event Comment: 2nd piece [1st time; D 5, by Richard Cumberland. Prologue by the author; Epilogue by George Colman ynger (London Chronicle, 27 July). Larpent MS 1138; 1st published in Cumberland's Posthumous Dramatic Works, 1813, Vol. II, with unassigned casts listing Citizens.

Performances

Mainpiece Title: The Quaker

Afterpiece Title: Don Pedro

Related Works
Related Work: Don Pedro Author(s): Richard Cumberland

7
16 January 1800 @ Covent Garden

Event Comment: Mainpiece [1st time; MD 5, by Richard Cumberland. Author of Prologue unknown]: A Romance of the Fourteenth Century, Formed upon the Plan of an unpublished Drama [Johanna von Montfaucon], written and transmitted by Augustus von Kotzebue, The Overture, Songs, Chorusses, Marches and Finale, with appropriate Symphonies between the Acts, by Busby. The Scenery, Dresses, Machinery & Decorations entirely New. The Scenery by Richards, Phillips, Lupino, Hollogan, &c. The arrangement of the Marches, Chorusses & Military Movements incidental to the Piece, under the direction of Farley. The Dresses by Dick and Mrs Egan. The Words of the Songs to be had in the Theatre. "The appropriate beauty of the scenery, in which the rules of perspective are critically observed, the splendour of the decorations and the richness of the dresses, have been rarely equalled" (Universal Magazine, Jan. 1800, p. 75). Receipts: #318 6d. (316.2; 2.4)

Performances

Mainpiece Title: Joanna

Related Works
Related Work: Joanna Author(s): Richard Cumberland

Afterpiece Title: The Intriguing Chambermaid

Song: Mainpiece: Chorusses-Denman, Lee, Thomas, Lewiss, Little, Potts, Everett, Oddwell, J. Linton, Tett, Smith, Kenrick, Silvester, Jones, Fairclough, Baron, Master Goodwin, Master Slape, Master Bernard, Master Standen, Master Little, Master Speare, Master Sawyer, Master Linton, Ms Trevor, Ms Gilbert, Ms Norton, Ms Watts, Ms Follett, Ms Castelle, Ms Sydney, Ms Burnett, Ms Masters, Ms Lloyd, Ms Blurton, Ms Cox

Related Works
Related Work: Sir Thomas Overbury Author(s): Richard Savage

8
06 December 1765 @ Covent Garden

Event Comment: A New Musical Comedy in 3 Acts never performed before. New Scenes and Habits. Book of the Comedy to be had at the Theatre. [Richard Cumberland's second dramatic piece, and first one to be performed (Genest, V, 104).

Performances

Mainpiece Title: The Summer's Tale

Related Works
Related Work: The Summer's Tale Author(s): Richard Cumberland

Dance: I: The Garland, as17651003; II: A New Grand Ballet, call'd The Gallant Shepherds-Fichar, Sga Manesiere, Miss Wilford

9
12 April 1768 @ Covent Garden

Event Comment: Benefit for Dyer. Tickets for the Wonder will be taken. Part of Pit will be laid into the Boxes. [The afterpiece a musical entertainment by Richard Cumberland taken from his The Summer's Tale. See 6 Dec. 1765; 28 April 1768.] Charges #64 15s. Balance to Dyer #10 5s. plus #160 5s. in tickets (Box 471; Pit 198; Gallery 128). (Account Book). Receipts: #75 (Account Book)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Amelia

Related Works
Related Work: Amelia Author(s): Richard Cumberland

Dance: III: The Provenzales, as17680301 IV: The Irish Lilt, as17670921

10
15 October 1773 @ Covent Garden

Event Comment: Mainpiece: A Comedy [by Richard Cumberland] never performed there. Paid John Doe for sticking Black Bills #3 12s. Paid Cooper (printer) as per bill #20 2s. (Account Book). [The Westminster Magazine held in reserve its judgment on Lewis as an actor until the reviewer could see him in another part.] Receipts: #137 4s. 6d. (Account Book)

Performances

Mainpiece Title: The West Indian

Related Works
Related Work: The West Indian Author(s): Richard Cumberland

Afterpiece Title: Midas

11
19 December 1777 @ Covent Garden

Performances

Mainpiece Title: The West Indian

Performance Comment: Belcour-Lewis; Stockwell-Booth; Capt. Dudley-Hull; Charles-Wroughton; Major O'Flaherty-Aickin; Fulmer-Dunstall; Varland-Quick; Lady Rusport-Mrs Green; Louisa-Mrs Bulkley; Mrs Fulmer (1st time)-Mrs Pitt; Charlotte Rusport-Mrs Mattocks; Epilogue for that Charity by Richard? Cumberland, Esq-Hull, Mrs Mattocks.
Related Works
Related Work: The West Indian Author(s): Richard Cumberland

Afterpiece Title: The Upholsterer

Dance: As17771104

Song: End II: song-Mrs Farrell

12
24 January 1778 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; T 5, by Richard Cumberland. Prologue and Epilogue by the author (Collection...of English Prologues and Epilogues, II, 214; IV, 195)]: With new Scenes, Dresses, and Decorations. Public Advertiser, 7 Feb. 1778: This Day is published The Battle of Hastings (1s. 6d.). "This piece was received with uncommon applause...[Palmer's] heroic exclamation-'all private feuds should cease when England's glory is at stake'-was so sensibly felt by the audience that a repetition was called for, but judiciously refused, as out of character in a tragedy" (London Magazine, Jan. 1778, p.37). Receipts: #243 15s. 6d. (235.0.0; 8.13.0; 0.2.6)

Performances

Mainpiece Title: The Battle Of Hastings

Related Works
Related Work: The Battle of Hastings Author(s): Richard Cumberland

Afterpiece Title: Daphne and Amintor

13
10 November 1779 @ Covent Garden

Event Comment: Mainpiece [1st time; T 5, by Richard Cumberland]: taken from [the same, by] Massinger and [Mariamne, by] Fenton. [not in Larpent MS; not published.] With new Dresses. Henderson "might surely break himself of the aukward custom of clapping his hands together almost perpetually, and running on and off the stage with so ungraceful a levity" (Morning Chronicle, 11 Nov.). [Miss Younge was from dl.] Receipts: #127 10s. 6d. (124.14.0; 2.16.6)

Performances

Mainpiece Title: The Duke Of Milan

Related Works
Related Work: The Duke of Milan Author(s): Richard Cumberland

Afterpiece Title: The Touchstone

14
29 February 1780 @ Crown Inn, Lower Street (now Essex Road), Islington

Event Comment: [Mainpiece: Prologue by Richard Cumberland. Afterpiece: Prologue by George Colman, the elder.] To begin at 6:00. Pit 2s. Gallery 1s

Performances

Mainpiece Title: The West Indian

Related Works
Related Work: The West Indian Author(s): Richard Cumberland

Afterpiece Title: Bon Ton; or, High Life above Stairs

Entertainment: Monologue.End: A Sea Fight.Frenchman-Jerrold

15
20 April 1782 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland. Text (which assigns no parts) 1st published in his Posthumus Dramatic Works, I, 1813. Epilogue by the author (Public Advertiser, 24 Apr. 1782). Prologue probably by same; speakers unknown]: With new Scenery, Dresses and Decorations. Receipts: #171 14s. (166/6; 5/8)

Performances

Mainpiece Title: The Walloons

Related Works
Related Work: The Walloons Author(s): Richard Cumberland

Afterpiece Title: The Dragon of Wantley

16
28 January 1783 @ Covent Garden

Event Comment: Mainpiece [1st time; T 5, by Richard Cumberland. Author of Prologue unknown. Epilogue by the author (Public Advertiser, 30 Jan. In 1796 this was acted at CG altered by the author in 4 acts]: With new Dresses, &c. Public Advertiser, 10 Feb. 1783: This Day at Noon will be published The Mysterious Husband (18d.). [Afterpiece in place of Barnaby Brittle, announced on playbill of 27 Jan.] Receipts: #275 9s. (269/14/6; 5/14/6)

Performances

Mainpiece Title: The Mysterious Husband

Related Works
Related Work: The Mysterious Husband Author(s): Richard Cumberland

Afterpiece Title: Cross Purposes

Dance: As17820927

17
02 December 1784 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; T 5, by Richard Cumberland. Prologue and Epilogue by the author (see text)]: With new Scenes, Dresses, and Decorations. Public Advertiser, 14 Dec. 1784: This Day is published The Carmelite (1s. 6d.). "We never saw [Kemble] wandering to the audience; he never turned his eye around for applause when he had closed an animated period, nor ever entertained his intervals of silence with glances at the side-boxes, like some of his contemporaries, not to mention the great Palmer, nor Davies, &c." This behavior "he has so happily caught from Mrs Siddons" (Public Advertiser, 22 Dec.). Receipts: #233 17s. (216/15/0; 16/10/6; 0/11/6)

Performances

Mainpiece Title: The Carmelite

Related Works
Related Work: The Carmelite Author(s): Richard Cumberland

Afterpiece Title: The Spanish Rivals

18
22 December 1784 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland. Prologue by the author. Epilogue by Edward Topham (see text). In 1794 this was altered by the author, and reduced to 4 acts]: With new Scenes and Dresses. Public Advertiser, 25 Jan. 1785: This Day is published The Natural Son (1s. 6d.). Receipts: #175 19s. 6d. (154/12/0; 21/0/0; 0/7/6)

Performances

Mainpiece Title: The Natural Son

Related Works
Related Work: The Natural Son Author(s): Richard Cumberland

Afterpiece Title: The Gentle Shepherd

Related Works
Related Work: The Gentle Shepherd Author(s): Richard Tickell

19
07 July 1787 @ Haymarket Theatre

Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland. Larpent MS 779; not published; synopsis of plot in Universal Magazine, Aug. 1787, p. 100. Prologue by the author; Epilogue by George Colman elder (European Magazine, July 1787, pp. 63-64). In 1789 altered as The School for Widows]

Performances

Mainpiece Title: The Country Attorney

Related Works
Related Work: The Country Attorney Author(s): Richard Cumberland
Related Work: A School for Widows Author(s): Richard Cumberland

Afterpiece Title: Harvest Home

20
26 January 1789 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland, based on The Beaux Stratagem, by George Farquhar. Prologue by the author (World, 27 Jan.). Epilogue by the same (Knapp, 150)]. Public Advertiser, 14 Feb. 1789: This Day is published The Impostors (1s. 6d.). Receipts: #254 (235.16; 17.9; 0.15)

Performances

Mainpiece Title: The Impostors

Related Works
Related Work: The Impostors Author(s): Richard Cumberland

Afterpiece Title: Robinson Crusoe

21
04 April 1793 @ Covent Garden

Event Comment: Mainpiece [1st time; CO 3, by Richard Cumberland; music ascribed to Capt. Warner. Larpent MS 976; not published]: With entire new Music, new Scenes and Dresses. Books of the Songs [C. Dilly,1793] to be had at the Theatre. Receipts: #224 0s. 6d

Performances

Mainpiece Title: The Armourer

Related Works
Related Work: The Armourer Author(s): Richard Cumberland

Afterpiece Title: Lovers' Quarrels

22
22 February 1794 @ Haymarket Theatre

Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland. Prologue by the Hon. Francis North. Epilogue by George Colman, the younger (see text)]. Morning Chronicle, 20 Mar. 1794: This Day is published THE BOX-LOBBY CHALLENGE (1s. 6d.)

Performances

Mainpiece Title: The Box-lobby Challenge

Related Works
Related Work: The Box-Lobby Challenge Author(s): Richard Cumberland

Afterpiece Title: THE QUAKER

23
10 June 1794 @ Drury Lane Theatre

Event Comment: Mainpiece: Revised and Altered [reduced from 5 acts to 4] by the Author [Richard Cumberland; MS of this version: Larpent 1026]. [In afterpiece the playbill retains Bannister Jun. as Robin, but he "being ill, Benson play'd Robin" (Powell).] Powell: Natural Son rehearsed at 11 (Miss Farren absent, Miss Tidswell one scene). Receipts: #149 9s. 6d. (106/6/6; 34/13/0; 8/10/ 0)

Performances

Mainpiece Title: The Natural Son

Related Works
Related Work: The Natural Son Author(s): Richard Cumberland

Afterpiece Title: NO SONG NO SUPPER

24
28 February 1795 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland. Prologue and Epilogue by the author (Pocket Magazine, Mar. 1795, pp. 190, 191)]: With new Scenes, &c. Powell, 27 Feb.: Wheel of Fortune rehearsed at 11; 28 Feb.: Wheel of Fortune rehearsed at 10. "The character of Penruddock is [Kemble's] greatest performance, and I believe it to be a perfect one. It is admirable...because the very defect which hurts his general style of acting, that studious and important preciseness, which is affectation in all his other characters, contributes to the strength, to the nature of Penruddock" (Leigh Hunt, Critical Essays on the Performers of the London Theatres, 1807, p. 8). Receipts: #255 19s. (195.10; 57.15; 2.14)

Performances

Mainpiece Title: The Wheel Of Fortune

Related Works
Related Work: The Wheel of Fortune Author(s): Richard Cumberland

Afterpiece Title: Alexander the Great

25
12 May 1795 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland. Prologue and Epilogue by the author (Knapp, 269, 221)]: With new Dresses, &c. Morning Chronicle, 12 Oct. 1795: This Day is published First Love (2s.). Receipts: #266 7s. 6d. (205.4.0; 52.2.0; 9.1.6)

Performances

Mainpiece Title: First Love

Related Works
Related Work: First Love Author(s): Richard Cumberland

Afterpiece Title: The Adopted Child